Wednesday, October 6, 2010

75 for 75 begins again today!


Adele Earnshaw - Raven #3 
5" x 7"  oil on board
$75 + $6 shipping
SOLD
My son Shane and I are starting our 75 for 75 project again today.  This is my new piece - cleverly titled 'Raven #3'.  I've had tons of requests for different species so will start with the most popular ones first.  I am amazed at what at how this project has really helped my painting skills.  I'm aware of it all the time when I'm working on larger pieces for shows and galleries.  Check out the 75 for 75 page on my website (there are still a few unsold from the last project) or go to my blog for the latest piece.

 ***

Shane says about his new piece for the start of 75 for 75:
I started this one as a quick, 15-minute speed study in Westcliffe, CO and finished it up back in the studio. I love how blue her face was with some subtle warms below and above the eye.

This piece is also the first for today's commencement of a new "75 for 75" project; at least one painting, every day, for a month. Hard work, but always an exciting challenge, starts today!


Shane Rebenschied - "Checking Eyelids for Leaks"
5" x 7" oil on panel
$75 + $6 s/h



Tuesday, October 5, 2010

Come and see my New Zealand!



Joe Garcia and I have been asked to do a late-summer Painting Holiday in my home country of New Zealand.  This is in the planning stages - it's still not definite - but I'm putting it out there to see how much interest we have.

Notice I said, 'we've been asked to DO a painting holiday' - not teach a painting holiday!  Unlike our traditionally structured painting workshops where we spend the day in the studio with only one or two excursions to paint on location, this will be a laid-back holiday and our studio will be the beaches, islands and rain forests of the Kowhai Coast - the part of New Zealand where I spent my childhood.  Joe and I will be there to give you individual instruction if you want it, or you can go off on your own and we'll see your work at the end of the day. We'll be painting too - you can choose to watch if you like. We'll work in both transparent and opaque watercolor, completing small paintings that you can have bound into sketch books at the end of the trip, such as the watercolor sketch books that Joe and I have painted in different parts of the world. 

We will provide the painting locations, picnic lunches, informal art discussions on everything from composition to galleries, assistance and critiques.   Unlike painting workshops where your traveling companion has to find something to do while you're in class, our excursions are also for non-painters.  They can swim, hike, photograph or just enjoy the scenery while you are painting.  We also hope to visit the studios of local artists, watch a sheep dog demonstration, visit a winery or two, and see a part of New Zealand you usually don't see as a tourist.  My sister will also accompany us to serve as guide and translator  ; )



A page from Joe's New Zealand sketch book

WHEN:  February 27 - March 4, 2012. (16 months from now)  This is the end of NZ's summer.  
WHERE:  One hour north of Auckland, North Island, New Zealand  (near the town of Warkworth)


FEE OF APPROXIMATELY $2500 WILL INCLUDE:
MEALS:  We will provide all breakfasts, lunches and 4 of 7 dinners, which will be typical New Zealand fare.  (we can provide gluten-free meals at our retreat)
EXCURSIONS:  We will provide transportation to and from the airport, to and from our daily painting locations, sightseeing, the glass bottom boat at Goat Island and the launch trip to and from Kawau Island.
ACCOMMODATION:  We will stay in five 2 bedroom/2 bathroom guest cottages, grouped together.  Each cottage has its own living area and kitchen.   Standard price is for double accommodation, two per bedroom in either twins or king bed. Every bedroom has a private bathroom.   Single accommodation is available for a slightly higher price.


A page from my New Zealand sketch book

There are several things I must do on every trip home to New Zealand that I hope to share with you.
*  Have fish and chips at the Leigh fish & chip shop (still served wrapped in newspaper)
*  Go out at night to listen for the moreporks (a native owl) and look for the Southern Cross.
*  Walk the rocks at Buckleton Beach at low tide
*  Swim in the warm water of the South Pacific
*  Stand in the bush (rain forest) and call in Piwakawaka (fantails).
*  Listen for Kiwi at night
*  Go to a Maori concert

We're looking into some optional trips for non-painters such as snorkeling at Goat Island.  (Goat Island is a marine reserve known for fabulous snorkeling and diving)

So start saving your pennies, pack your paints, togs (swimsuit) and jandals (flip-flops), and come with us to New Zealand!   If you are interested, please email at adele.earnshaw@gmail.com.

Not provided in the fee:  Airfare, wine or liquor with the exception of the first dinner (but we'll stop at the market so that you can buy your own),  Maori concert,  transportation to Warkworth if you cannot be at Auckland airport for the two pre-arranged meeting times, three restaurant dinners.

The cost for the workshop is not fixed at this time and may go up or down.

FLASH!  We have 15 students tentatively signed up.  This means we only have 4 more spaces available...so the painting holiday is definitely ON!





Thursday, September 30, 2010

The workshop in Tuscany

Wow.  What a trip!  Joe Garcia and I taught a one week workshop in Certaldo, Tuscany for Sedona Arts Center, September 4 - 11.  Though the economy trimmed the workshop to a smaller than usual group, we had a fabulous time!  The setting for the workshop is Fattoria Bacio (Bacio Farm) where the owners Alberto and Patrizia are the hosts. For this workshop we all stayed in the main villa, built in 1810. The first morning there, I flung open my shutters and was greeted by this view...






Jan paints the view from the villa grounds



Some of the students linger over breakfast



Karen on a day trip to Certaldo Alta



The main villa at Fattoria Bacio and below this, the view from the villa




Joe Garcia does a demo for watercolor students


Students wearing their 'Spirit of Tuscany' wreaths for the final dinner!

The final night dinner was inside the villa's dining room which we shared with people from Poland, Germany and Canada.  The wine flowed and before long, the Polish visitors stood and sang what sounded like a patriotic Polish song.  Not to be outdone, the Germans followed with their own song - and then the Canadians.   Our group sang a pretty weak rendition of 'The Day the Music Died'.  No one knew all the lyrics for songs so I'm bringing song lyrics to the next workshop!    Funny, but the only song that all nationalities knew was Old McDonald Had a Farm.   

We had an unforgettable week at Fattoria Bacio!  Thanks to the students who enthusiastically laughed at our bad jokes, turned out some darn good paintings and at the end of the workshop, turned the tables on us after our little awards ceremony, and gave Joe and I some beautiful European bath towels which I will treasure.  Thanks!

Wednesday, September 29, 2010

Life is never dull...

Since my last blog post I was in Spain and Italy for almost three weeks where I taught a workshop in Tuscany with Joe Garcia.  There wasn't any time to recover from jet lag when I packed the car and headed off to Art for the Sangres in Westcliffe, Colorado.  This year my son, Shane went with me for five days of non-stop art talk, reference gathering and plein air painting with my artist sister, Joanne Hanson and artist-buddy Joe Garcia.  Shane has written about the trip on his blog.  We stopped to visit the galleries in Taos and Santa Fe on the way home.  The paintings of Michael Workman and Douglas Fryer stood out above all the other work I saw in a one-afternoon dash through the Santa Fe galleries.


"Native Color" by Adele Earnshaw
9" x 12" oil
available at Windrush Gallery

On the drive home, Shane and I were discussing the 10,000 times concept.  Malcolm Gladwell (The Outliers) points out that in order to become successful at anything, you must do it 10,000 times.  This is the idea behind the project 75 for  75 (75 paintings in 75 days) that Shane I started in July.  I told Shane that every time I paint, I am acutely aware how much this little project has helped improve my painting skills...primarily in backgrounds.  So Shane has challenged me to start the project again on October 6th.  
I must be daft as it is a busy month anyway, but I've agreed to the challenge and will start it again next week.  We will both try to get at least one 5" x 7" oil done each day and will post them here and on the 75 for 75  page of my website.  I'll be painting birds again as I've had lots of requests for specific species. 
Shane will paint landscapes and perhaps a doggy or two.   


"La Musica de la Calle" by Adele Earnshaw
10" x 8" oil 
This painting will be in the exhibition Faces & Figures, 
Santa Ysabel Gallery, October 9 - November 7.
(see gallery listing on the right)
SOLD

Tomorrow I hope to blog about the Tuscany workshop! 

Friday, August 20, 2010

Flying with your oil paints

I leave for Spain and Italy in just a few days.   As I'm teaching a workshop in Tuscany, I am bringing my oils and watercolors.  I've heard horror stories of artists arriving at their destination to find their paints have been confiscated by the TSA (airport security).    As a former flight attendant, I can appreciate that the TSA is cracking down on things carried in luggage, but oils and watercolors are allowed in checked luggage as the flash point is much higher than the allowed 140 F.

It is recommended that when talking to airport security, you never refer to your paints as OIL paints.  Instead, call them what they are:  artist colors made from vegetable oil that contain no solvents.   Do not take any solvents or mediums...these you will have to buy them when you arrive at your destination.  Pack your paints in your CHECKED luggage. Wrap each tube separately and include with the package a material safety data sheet (MSDS)  for each brand of paint.  The MSDS forms are available online from the manufacturers or you can click on this link which will take you to artist Lori Putnam's website.  She has kindly posted the MSDS for Winsor & Newton,  M, Graham, Gamblin and Utrecht.  There are also several pages of Tips for Packing and Flying'  and a form you can print out to put in your luggage with art supplies.    Thank you Lori!  

Hopefully I won't get any surprises when I open my suitcase in Barcelona.

And in case you're wondering, YES!  These is space for more students in the workshop in Tuscany.  The dates are September 4 - 11th.   You may even be able to get a bargain airfare on Priceline!  Sedona Arts Center is sponsoring the week-long oil/watercolor workshop.   If you need your arm twisted, email me....though you'd better make it quick as I leave on August 24th.

A couple of new pieces for the project

I did this hooded oriole when I was starting to plan the 75 for 75 project, but I painted it as a 6" x 8".  It's been gathering dust so today I cut it down to a 5" x 7" (it actually works better in a smaller format).  To see the rest of the pieces in the 75 for 75 project that my son and I are doing, please click on this link.


Adele Earnshaw - Hooded Oriole #2 
7" x 5" original oil
$75 + $6 shipping, unframed



Adele Earnshaw - H = Horses
6" x 6"  oil on Pintura canvas panel
$75 + 6 shipping, unframed

This little horse painting is titled H = Horse  (part of my continuing painting-my-way-through-the alphabet project) but this oil is 6" x 6" -  not the standard size of 5" x 7".  As it's not a standard size, you probably won't be able to find a ready-made frame for it.  Frame shops often make small frames from their frame scraps, so perhaps your local frame shop will give you a deal on a 6" x 6".  I did this little painting a  year or two ago as an oil demo in a workshop I was teaching.  I'm behind on my alphabet project and this piece works, so why not!  



Thursday, August 19, 2010

Shane's new piece - Gone Without a Whisper

Shane finished this little gem this evening.....'Gone Without a Whisper'.    It's a beautiful piece.  I like the way he's handled the shadows on the road in the foregrounds - the dappled light is nice, and the figures in the distance are intriguing.   Shane's titles aren't just pulled from a hat - he uses them to further the story that the painting suggests.  You can see more of his work (and titles) at www.turpitout.blogspot.com.




Shane Rebenschied - "Gone Without a Whisper"
7" x 5" oil on board
$75  + 6 shipping, unframed



SOLD

Oldie but Goodie

This small oil was sold a few years ago. When I lived in Arizona, I taught several painting workshops at the Arizona Sonora Desert Museum wh...