This little vulture painting demonstrates exactly
why I do these little oil studies. I wouldn't have done a larger painting of vultures...afraid it would never sell. But it doesn't matter if a study doesn't sell because I don't have much time invested in these little guys (a half-hour in this one). Also, for this piece, I experimented using a pre-painted/dry board - an old 75/75 that didn't work. I liked the background color so I saved the board and used it for this piece. I've worked on boards that have been stained a color but never on thicker paint that is completely dry. I usually work completely
alla prima. It was fun working on dry paint, allowing a little bit of the under painting to show through. (the gray in the bottom right hand corner). For the background texture, I used thick paint on a large brush and dragged the brush edge over the board. I also put the subject matter smack-dab in the middle of the board. Why not! It's only a study. But I think in this case, it works because the eye goes to the large wing rather than to the center of the vulture group.
So this is why I do these little studies....I can be brave and boldly go where I've never been before. If it doesn't work, I can always turp it out. If it does work, then I've got information I can use on larger, studio oils.
I like this vulture study and am wondering if it will work as a larger piece, but perhaps it will lose the spontaneity if larger. So for the moment, I'm not going to sell it. With a tweak or two, it could be one of my two entries into Birds in Art 2012.
203 - Vultures
5" x 7" oil study on board
Not for sale at this time
This one has a really nice abstract feeling to it, Adele. I'd keep it as it is!
ReplyDeleteI love your work. I like the randomness a painting that, "did not worK" (your words) can be as underpainting.
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